Contact

Career

Flighthouse Media 2023 - Present Media & Marketing

Shinko 2024 - Present Founder

D36 2021 - 2023 Social Media

Groupie 2021 - 2022 Marketing/Social Media

Highsnobiety 2017 - 2021 Social Media & Photography

Education

Certifications

University of California - Santa Barbara
B.A. in Sociology

Motion Creative Strategy Bootcamp

Skills

Creative Art Direction

Creative Marketing

Campaign Execution

Brand Storytelling

Creative Leadership & Direction

Content Strategy & Governance

Clients

Projects

Personal Projects

Highsnobiety

PUMA

Amazon

Paramount

CeraVe

Google

Terminal 27

Aplasticplant

Represent Clothing

Synthesis +

Spider Worldwide

Rolling Loud

710 Labs

ODIE

Lancey Foux

JNR Williams

Theophilus London

Peach Tree Rascals

Ethan Fields

GUESS

Amazon
Project Hail Mary Social Campaign (Movie)
Crime 101 Social Campaign (Movie)

Paramount
Scream 7 Social Campaign (Movie)

Google
TikTok Content Series

CeraVe 50th Anniversary 3 Day Event
In Person Event in NYC

Vic Mensa, and Why He Deserves a Second Chance (2019) ↗

Rahul Gowthaman

Collaborative, intentional, and decisive Creative & Photographer with 6+ years experience leading creative work across culture-led and lifestyle brands, with a strong instinct for credibility, taste, and timing in audience engagement.

Brings a deep understanding of campaign building, brand storytelling, and creative art direction. Demonstrating a proven track record of partnering with cross-functional teams to align business objectives with artistic vision.

Led high visibility campaigns with high budgets while managing influencer and artist relationships. Delivered culturally relevant work that drives measurable growth in audience, interactions, and sale.

Ethan Fields

Developed the full creative concept and art direction for this studio portrait project with Ethan Fields for his ‘Spotlight’ release, building a cohesive visual world from moodboard to set. Every decision was made before the camera ever came out."

Shot the entire project on 35mm film, directing talent on set while maintaining the visual language established in pre-production. The goal was to make each frame feel intentional and unhurried — the kind of image that reads as editorial without trying to.

The result is a body of work that lives somewhere between a portrait session and a short film, a collaboration built around a singular aesthetic point of view. From concept to final image, every element was considered, art directed, and executed independently.

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